TONAL AND MODAL HARMONY
Authors
Lutfullaeva Shokhistakhоn Ilyasovna

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Annotation
The transition of tonal harmony to modal harmony directly affected the phenomenon of phonism. The change of lads is the basis for building the lad dramaturgy of the work. For harmony, not only the functional structure of the lad (horizontal, vertical, tonal plan, dramaturgy, form), but also its coloring and coloristic aspects are important. The unit of measurement of the chord becomes the acoustic-sound "scale" and the duration of its phonic-combinations. The sound range includes the lad vocal range in a vertical and horizontal sense. The measure of harmonic (functional) kinship becomes the tembrophonic similarity of neighboring groups
Keywords
Authors
Lutfullaeva Shokhistakhоn Ilyasovna

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References:
1. Azimova O.N. Harmony - T., 2004.
2. Kon Yu.G. Some questions of the modal structure of the Uzbek folk song and its harmonization. T.: 1979.
3. Etinger M. Early Classical Harmony. M., 1979.
4. Musical encyclopedia. V- volume. M., 1978.
5. Dyachkova L. " Harmony in the music of the 20th century " M., 2004
6. "National Encyclopedia of Uzbekistan" State Scientific Publishing House.
