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GʻIJJAK IN UZBEK MAQAM PERFORMANCE

Authors

Vosidjon Mahmudov Valijonovich

Rubric:Musical arts
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Annotation

This article discusses the schools of instrumental performance utilized in the educational process, specifically focusing on gʻijjak performance. It examines the significant contributions made by prominent figures from the gʻijjak performance school to the development of maqom art. The article also addresses issues related to learning from masters, which is essential for the comprehensive growth of creative individuals in continuous education. Furthermore, it provides information about a new era in the application of gʻijjak for future maqom performers.

Keywords

instrument
student
musician
characteristics
solo
maqom
ensemble
master
learning
skill
proficiency
creativity.
performance
education
knowledge

Authors

Vosidjon Mahmudov Valijonovich

References:

1. Uzluksiz taʼlim [Electronic source] URL: https://uz.wikipedia.org/wiki/Uzluksiz_ta%CA%BClim (In Uzbek)

2. Fitrat A. Uzbek Classical Music and Its History. Tashkent: "Fan", 1993.

3. Karomatov F. n Local Styles of Uzbek Folk Music. Moscow: "Nauka", 1964.

4. Qodirov N. Traditional Instrumental Performance (Gʻijjak). Tashkent, 2018.

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