COMPOSITIONAL CONSTANTS OF WORKS FOR PIANO BY KHABIBULLA RAKHIMOV
Authors
Sayyora Gafurova
Share
Annotation
Objective: to determine the impact of national expressive means, performing techniques and strokes inherent in the Uzbek piano school in Concertino for Piano and Orchestra by H. Rakhimov.
Methods: generalization, theoretical and performing analysis, historical method.
Results: basing on the analysis of Concertino for Piano and Orchestra by H. Rakhimov the intensive creative searches in the field of synthesis of classical piano writing and H. Rakhimov's national thinking are noticeable. Piano music by Khabibulla Rakhimov is multifaceted, diverse in content, forms and genres - it attracts with the brightness of images, freshness of musical language. It organically combines modern trends and searches in the field of musical expressive means and form-building with Uzbek folk and national traditions based on the principle of improvisation as the basis of folk music-making.
Scientific novelty: based on the performing experience of the author, the article studies the impact of genre of piano concert on the piano performance and composers’ creativity.
Practical significance: the main provisions and conclusions of the article can be used in scientific and teaching activities in addressing issues of piano concertos and their important place in world musical literature in general and in the work of modern composers of Uzbekistan in particular.
Keywords
Authors
Sayyora Gafurova
Share
References:
- Ganixanova, Sh. Problemi razvitiya prikladnix janrov v Uzbekistane (na primere muziki dlya detey): Avtoref. diss. kand. iskusstvovedeniya. (Problems of development of applied genres in Uzbekistan (on the example of music for children): Abstract of a PhD dissertation in art history). – Tashkent, 2008. - 24 p. (in Russ.).
- Drach, N. Osnovnie stilevie tendensii v otechestvennom fortepiannom iskusstve vtoroy polovini XX veka: Avtoref. diss. kand. iskusstvovedeniya. (The main stylistic trends in the domestic piano art of the second half of the twentieth century: Abstract of a dissertation by a candidate of art history). – Saratov, 2006. – 28 p. (in Russ.).
- Islyamova, D. Stilevie tendensii ispolnitelskoy kulturi sovremennoy fortepiannoy muziki Uzbekistana: Avtoref. diss. d-ra filosofii po iskusstvovedeniyu. (Stylistic tendencies in the performing culture of modern piano music in Uzbekistan: Abstract of a PhD dissertation in art history). – Tashkent, 2022. (in Russ.).
- Muxamedova, F. Fortepiannaya muzika Uzbekistana, formirovaniye, janrovoye svoyeobraziye, interpretatsiya: Avtoref. diss. d-ra filosofii po iskusstvovedeniyu. (Piano music of Uzbekistan, formation, genre originality, interpretation: Abstract of a PhD dissertation in art history). – Tashkent, 2019. – 50 p. (in Russ.).
- Savshinskiy, S. Rabota pianista nad muzikalnim proizvedeniyem. (A pianist’s work on a piece of music). – M.: Classic XXI, 2004. - 192 p. (in Russ.).
- Xashimova, D. Fortepiannie proizvedeniya kompozitorov Uzbekistana: Avtoref. diss. kand. Iskusstvovedeniya. (Piano works by composers of Uzbekistan: Abstract of cand. of art history dissertation). - M., 1985. - 21 p. (in Russ.).
Other articles of the issue
