HISTORICAL-VISUAL-VARIABLE CONSIDERATION OF THE PART OF VIOLETTA FROM THE OPERA "LA TRAVIATA" BY G. VERDI ON THE EXAMPLE OF PRODUCTIONS OF THE UZBEK OPERA THEATRE

: this article examines the musical and figurativeconcept of the main heroine of the opera - Violetta Valery. The analysis of vocal numbers of the opera creation of G. Verdi is carried out: arias, duets, large ensembles, where the disclosure of figurative aspects of the opera heroine takes place. The historically consistent variable-staging image of Violetta on the stage of the State Academic Bolshoi Theater named after Alisher Navoi is built. A brief excursion into the figurative-performing interpretation of the part of the main heroine is carried out using the example of two Uzbek opera singers - Saodat Kabulova and Muyassar Razzakova.