Academic publishing in Europe and N. America

Archive Publication ethics Submission Payment Contacts
In the original languageTranslation into English

FORMATION OF GENRES OF PAINTING IN UZBEKISTAN IN THE SECOND HALF OF 20TH CENTURY

Authors

Umida Temurovna Akhmedkhodjaeva

Rubric:Theory and history of art
0
0
Quote
0
0

Annotation

This article examines the factors that influenced development of genres in Uzbek painting during the second half of 20th century, chronology of their evolution, works of art historians who studied these genres, as well as generations of both mature and young artists who directly contributed to formation of these genres. In the domestic scientific tradition, there is a persistent tendency to establish genre as a fundamental category that reflects the essential properties and connections of phenomena in the art world, encompassing the totality of formal and substantive features of a work. In the content of this article, genre analysis is proposed as a theoretical and methodological basis for studying fine arts, as it allows the researchers to reveal hidden qualities in genre dispositions arts.

Keywords

personal exhibition
ethnocultural identity.
socialist realism
decorativism
cultural paradigm
Genres in painting
impressionistic tendency
artistic form

Authors

Umida Temurovna Akhmedkhodjaeva

Rubric:Theory and history of art
0
0

Share

0
0

References:

  1. Taktash R.H. Izobrazitel'noe iskusstvo Uzbekistana vtoraja polovina XIX v. -50-ie godi XX v. (Fine art of Uzbekistan in the second half of the 20th century. -50s of the XX century) – Tashkent: Izd.lit.i iskusstva, 1972. – 272s. (in Russian)
  2. Chepelev V. Iskusstvo Sovetskogo Uzbekistana. (Art of Soviet Uzbekistan) – L.: Izd. Leningradskogo oblastnogo sojuza sovetskih hudozhnikov, 1935. – 130 s. (in Russian)
  3. Shmitd F. O nacional'noj forme zhivopisi Uzbekistana. (About the national form of painting in Uzbekistan) 1937. Arhiv biblioteki GMI. – Inv № 166. – 40 s. (in Russian)
  4. Vejmarn B.V. Iskusstvo Srednej Azii. (Art of Central Asia) – Moskva-Leningrad: Gosudarstvennoe izdatel'stvo “Iskusstvo”, 1940.-189c. (in Russian)
  5. Red.kollegija. Izobrazitel'noe iskusstvo Sovetskogo Uzbekistana (ocherk istorii zhivopisi, grafiki, skul'ptury). (Editorial board. Fine Arts of Soviet Uzbekistan (Essay on the History of Painting, Graphics, Sculpture))-Tashkent, 1957-180 s. (in Russian)
  6. Zhadova L. Sovremennaja zhivopis' Uzbekistana. (Modern painting of Uzbekistan) – Tashkent, Gosudarstvennoe izdatel'stvo hudozhestvennoj literatury UzSSR. 1962. – 112 s. (in Russian)
  7. Ahmedova N.R. Zhivopis' Central'noj Azii XX veka: tradicii, samobytnost', dialog. (Painting of Central Asia of the 20th century: traditions, originality, dialogue.) – Tashkent: 2004. – 205 s. (in Russian)
  8. Zinger L. Sovetskaja portretnaja zhivopis' 1917–nachala 1930 godov. (Soviet portraiture of 1917 – early 1930s)– M.: Izob. iskusstvo, 1978.–295 s. (in Russian)
  9. Xasanova N.S. Istoki zarozhdenija iskusstvovedenija v Uzbekistane: osnovnye etapy stanovlenija. (The origins of art history in Uzbekistan: the main stages of formation) Vestnik MGUKI  2015. #6 (68).266-270 s. (in Russian)

 

Other articles of the issue

Khamzina Zarina Bakhtiyorovna INFLUENCE OF GLOBALIZATION PROCESSES ON CONTEMPORARY UZBEK OPERA
4 views
cc-license
About us Journals Books
Publication ethics Terms of use of services Privacy policy
Copyright 2013-2024 Premier Publishing s.r.o.
Praha 8 - Karlín, Lyčkovo nám. 508/7, PSČ 18600, Czech Republic pub@ppublishing.org