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A STUDY OF SPATIAL NARRATIVE IN OF MICE AND MEN

Authors

Qing Hui

Rubric:Study of art
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Annotation

In his novel Of Mice and Men, American writer John Steinbeck portrays two farm workers, George and Lenny, who depend on and support each other. The two heroes struggle to survive on the edge of a brutal society, where a strong friendship and shared vision are finally strangled by brutal reality. Through the meticulous description and cutting combination of different Spaces, the novel reflects the geographical space of nature and reality, the space-time space of three parallel clues and the interlacing and opposing text space. Based on space writing, this study interprets the themes of loyal friendship, loneliness and disillusionment of hope in the novel, reveals the author's criticism of the contradictory relations between man and man, between man and nature, between man and land, and his longing for a harmonious society in the future.

Keywords

Of Mice and Men
cartographic space
space-time space
text space

References:

[1] Lefebvre. Space and Politics [M]. Translated by Li Chun, Shanghai: Shanghai People's Publishing House,2008.11; P15.

[2] Steinbeck. Of Mice and Men [M]. Translated by Chen Zongchen. Jiangsu: Jiangsu Phoenix Literature and Art Publishing House, 2019.05.P1.

[3] Gaston Bashara. Poetics of Space [M]. Translated by Zhang Yijing. Shanghai: Shanghai Translation Publishing House, 2009.p35

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[7] Li X H. Interpretation of animal symbolism in Of Mice and Men [J]. Appreciation of Masterpieces,2016(26):47-48. (in Chinese)

[8] Long Diyong. On The Spatial Narration of Modern Novels [J]. Jiangxi Social Sciences,(2003),10:15-22.

[9] Wei Shangyu. On spatial Narration in Of Mice and Men [J]. Literary Education (I),2020(03):76-79.

[10] Li Guicang, Huang Ruiying. The Evolution of Marginality: Spatial writing and Identity in the Third Continent, The Last Homeland [J]. Contemporary Foreign Literature,(2015),3: 63-69

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[12] Wang Fengyuan. Analysis of social metaphor in Steinbeck's Of Mice and Men [J]. Writer,2015(22):64-65.

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