COMPOSITION OF IMAGES IN THE GENRES OF “OLAN” AND “YOR-YOR” OF UZBEK WEDDING RITUAL FOLKLORE

The purpose of research: This article analyzes the use of symbols, similes, similes, exaggerations, and comic art in describing the images of the “olan” and “yor-yor” genres of Uzbek wedding ritual folklore. Research methods: All genres of wedding ceremony songs have a special spirit and, when appropriate, sad nature, cuteness, playfulness, delicate artistry, composition of unrepeatable images, gain a lot of importance in Uzbek folklore. Research results: In the process of analysis, it can be seen that all these songs contain the beliefs of our ancestors, their imaginations and beliefs, their attitude to life, and their dreams. Another important point is that these songs use philosophical observations, beautiful allusions and symbols to portray the characters of the active participants in the wedding ceremony. Practical application: It is worth noting that it is necessary to analyze and deeply understand the essence of all images and symbols reflected in folk songs, their ethnographic-phil - osophical-historical features.


Introduction
According to scientists, "Olan" songs, based on the competition, sung by the groom and the bride on the day of the Uzbek wedding in the mountain, sub-mountain villages, and steppe regions of Uzbekistan, differ from other genres with their originality, enthusiasm, and beauty.
In particular, "…the key to the treasure is in knowing the magic word".It is under-standing the meaning of the WORD and finding the tone and saying it" (Turdimov, Sh., 2020), says teacher Sh.Turdimov.
Wedding ceremony ceremony songs -"Olan", "Lapar", "Yor-Yor", "Welcome to the bride", "Welcome" in addition to being diverse according to genre, the abundance of unique symbols and symbols in each variant speaks of the wisdom of the people."The world is made up of symbols, and this was the first but true creation of mankind.Folklorist J. Eshankulov is right when he says that this creation could unite the ages" (Eshankulov, J., 2011).
Until the middle of the last century, in the remote, mountainous districts of the Fergana Valley, Tashkent region, the dead and the sayings were said during the wedding ceremony.This competition served to show the speaking skills of the groom and the bride.Olan is one of the most beautiful genres of Uzbek wedding ritual folklore.This can be said not by a person who wants a genre, but by a performer who is skilled in connecting words to words, eloquent, a high poet, who has the ability to give a worthy response to a line spoken by a colleague.
It can be seen that in order to connect words to words and create a wonderful text, to provide information to the listeners through that text, to nourish them spiritually, it is necessary to be experienced, to become a jeweler of words.A young man is ready to leave everything, give a camel, that is, bet his life, to get a girl's visa.But the girl does not want to bow her head at all, her "father has a white house and a thousand sheep".The girl is reporting her father's wealth and opportunity through the white house complex.The young man's insistence that he is head over heels in love with his mistress means that he has reached the age of starting a family, that he has matured sexually and physically.
Each fighter has the goal of winning over his opponent when he enters the circle to compete.Even then, while reciting the olan, the rhythm is constantly increasing, and an effort is made to maintain the rhythm.There will be those who fight against those who are equal to them.They don't get into a circle with an opponent who is eloquent and has low skills.
"Olan" recorded by the dissertation from Abdusattor Muhammadiev, who lived in the village of Kokbulok, Qamashi district, Kashkadarya region of the country, and Kyzlarbas Ravshanova, who lived in the village of Kon, is sharply distinguished by local characteristics.Each fighter has the goal of winning over his opponent when he enters the circle to compete.Even then, while reciting the olan, the rhythm is constantly increasing, and an effort is made to maintain the rhythm.There will be those who fight against those who are equal to them.They don't get into a circle with an opponent who is eloquent and has low skills.
"Olan" recorded by the dissertation from Abdusattor Muhammadiev, who lived in the village of Kokbulok, Qamashi district, Kashkadarya region of the country, and Kyzlarbas Ravshanova, who lived in the village of Kon, is sharply distinguished by local characteristics.
In Egypt, the coming of a young man in love to "tov" has gained symbolic importance and is a sign of height.In the eyes of the ancient Turks, oppressors live in high places -mountains, hills, villages.In Oland, the main image is to find a way to the heart of the "friend" and the difficulty of reaching the goal is pointed out by emphasizing that his gate is made of "juniper" and "sleeveless skirts cut at the waist are made of cloth".
The use of the word "bead" in the verse of the girl's answer "aytar gabimin munchaqdaigana teralaman-ov" is a symbol of mating, reproduction, readiness to start a family.
In Olan, the means of artistic representation are widely used -mengzash, characterization, poetic repetition, kochirim, kesatiq, pitching.Returning a joke with a joke, an attempt to fool the opponent, increases the Such sayings are usually said in front of the girl's gate, hospitality with a good mood, wedding customs are allowed.
"yor-yor" is of particular importance among the genres of wedding ceremony songs.In them, symbols and symbols often change, poetic images are significant with their variety, and they are extremely rich in ethnographic details.But it should be noted that the main image in them is a girl who is going to be a bride.In the verses, she sometimes appears as a "girl", sometimes as a "bride", but the address is directed to one person.
If we take into account that the girl's heart is reflected in the song, there is a subtle hint that her purity, virginity, the existence of a border between a boy and a girl, and the fact that she is "half gold, half silver cup" are not calm about her future life.
Folk songs, including yor-yorar, often refer to the word water and river."Each of the four elements considered as the basis for the structure of the universe is an important mythological symbol, a ritual element in all folklore examples, and is poetically observed in a wide and diverse way" (Turdimov, Sh.), says teacher Sh.Turdimov.It can be considered that the river is a symbolic boundary between two hearts.River -purification, renewal, stepping into a new life.It includes motives of wishing light and happiness to the girl who is dying and entering the world of womanhood -a new world.The word "tower" expresses the feelings of a girl's heart hidden from the eyes of others, while the word "peach tree" means that she is approaching the destination of happiness.In the people, there is a lot of confidence woven in connection with the peach blossom."If you touch a peach blossom, you will be cured", "If you smell a peach blossom, you will become blind."So, the use of the word "peach tree" in folk songs, in particular, refers to the destination of happiness for the bride and groom, and the fulfillment of their dreams.
In some variants of "Yor-Yor" there are jokes and taunts about the son-in-law, but such allusions are not used about the girl.
On the contrary, its definition is expressed in beautiful verses.Her beautiful hair, her face like a flower, her eyebrows arched, her eyes like hers, her teeth like pearls, her manners, morals, and intelligence are written into the lines by the performer.
Қиз There are socio-historical reasons for women's obsession with beauty.Women always want to be charming, to attract the attention of others.This is due to their belief in the magic of love.In "Yor-Yor" songs, the poetic expression "chimmat" is used in relation to the image of a girl.
"Chim kashta" sewn on "chimmat" in the song represents a poetic symbol.This is a hint of the girl's delicacy, beauty, her own secret.In the later verses of the song, this twist appears.The fact that she is not yet fifteen is reinforced by the fact that her eyebrows look like a swallow's wing.The fact that this beauty is hidden by the price is a sign of the modesty of the girl.In addition, "chimmat" and "chim kashta" are means to protect the girl from evil forces.
In some versions of "Yor-yor" songs, the image of the bride and the groom are praised together.Different symbols are used in this.One is sung with the help of artistically defining symbols such as the moon, the sun, the sun, and the light.